Middle of the night to middle of the night

I started my writing day on  Sunday at 3 AM, drafting the “Meanwhile in Tibet” poem that has been sloshing about in my brain intermittently since last November in my journal, so as not to expose myself to the blue light of my Chromebook. (Point of information, or, perhaps, warning : I am writing this now at quarter of two Monday morning on my Chromebook, hoping that the blue light won’t keep me from catching a few hours of sleep later on. Many “night’s sleep” for me lately resemble a couple of naps, instead of a single expanse of sleep. So, back to the story of yesterday…)

After a few more hours of sleep, I breakfasted on an excellent apple crumb cake that I had bought on Saturday from the Clarksburg Bread Company at the farmers’ market and went to my studio to write. I began a Fall Foliage Parade poem, recollecting my memories of the parade as a child, and I typed in and revised the Tibet poem. By then, lunch was approaching, so I decided to go down early to make some notes for a planned poem on local supporters of the museum.

We lunched and visited and, while the other poets started a workshopping session, I excused myself to attend the parade. I walked over Hadley Overpass and settled myself on the rail only feet away from where we used to watch the parade in front of my grandparents’ home on State Street. The building is no longer there, replaced by greenspace and a path into Heritage Park. The crowds were thin and the parade resembled more Fourth of July or Old Home Days in the small towns than the Fall Foliage Parades of forty-five years ago. It was also strikingly quiet for a parade, to the the extent that a couple of marchers actually asked what I was doing scrawling in my notebook as they passed. Telling a stranger you are making notes for a poem can result in some rather quizzical looks. I definitely have material to contrast the two eras, although the actual writing may have to wait until I am back home. I am acutely aware of how much I still want to do and see here and how little time there is. I have not even visited any of the new MoCA exhibits yet.

With the parade being barely an hour, I arrived back in time to catch the second half of the workshop period. I workshopped my Boiler House poem and received lots of good feedback for revisions. I continue to contend with the issue of how to address writing about art installations in a way that is engaging as poetry and not dependent on having experienced the art on which the poem is based.

We decided to have supper at the Freightyard Pub and to walk there rather than drive. As the local, albeit several decades removed, I was the designated tour guide, so I went for a walk to decide on the best route. It isn’t far but there are both railroad track and river crossings with which to contend and I wanted to check out conditions of walkways and such. I am happy to report that I successfully guided the group to dinner and back with no turned ankles.

Kyle proposed an additional workshopping session, so we headed back to the Studios. I decided to present The Octagon Room draft by just reading it from my google docs, thus saving paper. The basic question is whether it is worth working on as it is basically at the moment a very, very long list poem. The basic answer is “yes, but…” Everyone was helpful with ideas to approach revision. The $64 question is whether or not I have the skill to pull it off. It needs to percolate a bit, so I will set it aside and pick it up later after I am back home.

By the end of the session, I was too tired to work on this post. (I was probably too tired during the session to be as effective as I ought to have been; fortunately, everyone else was more with it than I.) I collapsed into bed and really, Mom, I did sleep for a while before writing this. It’s almost three o’clock now, so back to bed…

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Author: Joanne Corey

Please come visit my eclectic blog, Top of JC's Mind. You can never be sure what you'll find!

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