MoCA Monday

I did sleep some more after writing this middle-of-the-night post, although I wanted to get up early to shower. I know I said that I wasn’t going to revise The Octagon Room until after I got home, but an idea presented itself so I plunged in and did another draft before breakfast.

I met a high school friend downstairs at Brewhaha, where we enjoyed delicious waffles and conversation. It was great to see her, although we didn’t have much time, as she needed to get to work and I needed to get to the studio.

I did a little more revising and printed two poems for workshopping today, just in case we get two sessions in again. My main goal, though, was to get into the Museum, as I had not yet taken the opportunity to do so and wanted to see the new exhibits.

The museum does not open until 11:00, but the grounds are open sooner, so I went back to our beloved Boiler House. I think it may be the first time that I have been there totally alone, which allowed me to fully engage with the soundscape. I climbed the flights of open metalwork stairs all the way to the top. MASS MoCA has added many more solar panels to their buildings. Being on the top of the building gives a new appreciation for the vastness of the museum site and a spectacular view of downtown North Adams. It was poignant to look at their landmark steeples, though, as one is missing. St. Francis was torn down this year; I could see the remnant that is left, waiting to be hauled away. I am planning to write a poem about it as a postscript to one I wrote last year.

At 11:00, I did an hour-long spin through the first floor of the main museum building where the new exhibits were. Unlike most museums, MASS MoCA does not rely on having a large permanent collection. Frequent visits reveal new works, so the experience of visiting is always fresh. I drafted one poem in my notebook, honoring advice from one of the poets who came to speak to us last year. There were several other pieces of which I am in awe, but don’t feel that I can expand on poetically. Maybe later, or maybe never. Still, I am glad to have experienced them.

After lunch, we went on a formal tour of the museum. Unfortunately, the group was large and we weren’t able to visit too many pieces. I did appreciate being able to accompany my poet-friend Jessica into the Sol Lewitt exhibit. She had helped workshop a poem I had written about it, so it was nice that she was able to experience the art in person. The large exhibit hall is currently closed as the next major exhibit, Nick Cave’s Until, is being installed. We were able to see some of the installation going in and hear a bit about it from our guide. I feel that I will have to try to come back to see it after it opens on October 15. I think there may be a poem there, although it may be too overwhelming for me to write about. Fortunately, it will be here for a whole year.

After the tour and a bit of delay due to a sudden downpour, we reconvened at the Studios for workshopping. I decided to present my new version of The Octagon Room, which was well-received. There are more edits to make, including a new title, but I feel that I will be able to improve it enough to include in my manuscript.

Being back here at MASS MoCA makes it seem that completing a collection is possible. The trick will be keeping the momentum going after I return home. There will need to be more writing, more revision, assembling the collection, sending it out to readers for feedback, more revision, editing, cutting, and adding, and, eventually, sending it out to presses for consideration.

Wish me luck…

 

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Author: Joanne Corey

Please come visit my eclectic blog, Top of JC's Mind. You can never be sure what you'll find!

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