One-Liner Wednesday: Frost quote

“A poem begins in delight and ends in wisdom.”
– Robert Frost
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singing again

Last night, for the first time in over a year, I went to a (Binghamton) University Chorus rehearsal.

I have written posts before on the changes in the choral program* and the University which necessitated the transformation of what had for decades been a large chorus of community members, students, and staff which sang a major concert every semester into a much smaller ensemble that sings when needed to help the student groups perform larger works.

This semester, we are preparing to sing Ralph Vaughn Williams’ Dona Nobis Pacem, which I performed once before with University Chorus in 2003. This piece is being programmed a lot this year because of the bicentennial of the birth of Walt Whitman, whose poems comprise most of the text of the work. As luck would have it, the Smith College Alumnae Chorus is also singing the work this year; I will be joining our July tour to Slovenia, where we will sing two performances.

Most of my singing for the past year has been either in church services or with ABC, whom I can sometimes sing to sleep. Not exactly the caliber of singing required for Vaughn Williams. Fortunately, our director, Bill Culverhouse, is very good at getting our bodies and brains engaged, so I actually managed to acquit myself quite well, helped by the fact that we worked on the third movement, “Reconciliation”, in which we second sopranos get to sing a lovely, lyrical passage twice. It’s also one of the movements that stayed with me over the last decade and a half since I learned it. Some of the other sections are going to be a bit harder to get back in my head.

It is also hard to get used to rehearsing with a much smaller group. I was used to University Chorus being 80-100 voices and being one of about fifteen second sopranos. It’s somewhat more daunting to be one of five seconds in a group of about thirty. I anticipate doing a significant amount of preparation at home, as I did when we sang music related to St. Mark’s in Venice in December 2017.

I was very happy to see some of my singing friends again. And even happier to be singing together again.

* In looking back at this post, which explains a lot of my experience with the transition itself, there are several things that didn’t happen in the way I had anticipated. My mom, who had then been in hospice care, was decertified in October of 2018, and, while continuing to suffer from congestive heart failure, is happily still with us. The visa process for daughter E has been a much longer slog than we had thought. She and ABC are still living with us, probably until August of 2019. Lastly, the University Chorus hiatus was longer, as this academic year we are singing in the second semester rather than the first.
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Boiler House Poets’ reading

At our 2017 reunion residency at MASS MoCA, the Boiler House Poets presented their first ever public reading as a group.

We hadn’t expected our 2018 residency to include a public reading, for a number of reasons, including the closing of the Makers’ Mill space where we had read in 2017.

It was a delightful surprise when CC, who had just recently taken over as our main residency coordinator, asked us if we would like to have a reading. We agreed immediately and she set to work finding a venue for us. On very short notice. Over a holiday weekend.

CC contacted Ashley of the Ashland Street Project, a recently opened artspace that hosted arts activities, as well as community discussion groups. It is meant as a place to bring together long-time residents and the newer residents drawn by MASS MoCA and programs drawing artists of all kinds to the area.

Because time was so short, we weren’t sure if we would have an audience, but we did! Ashley had put out the word to her mailing list and posted on their Facebook page. Poet Kate Carr, who had been our host the previous year at Makers’ Mill was there. We had a couple of other people who had been at out reading last year, saw that we were reading again, and made a point to come join us. We joked that we had “groupies” but we were touched that people came to hear us a second time. There were also a number of new people, drawn by Ashley’s publicity.

The reading went well and our audience appreciated it. I read last, trying out several poems from my collection about the area, including a couple that I had revised since my manuscript review. I was even more nervous than usual, but was pleased that the local folks related to them. In our social time after the reading, I even got some suggestions for other North Adams topics I could turn into poems.

Will a public reading be part of the Boiler House Poets residency every year? We don’t know. Check back next October and see!
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Paris

Today’s Just Jot It January prompt “Paris” caught my eye.

My mind immediately went to this post, written November 14, 2015 in the aftermath of a major terrorist attack there, horrible because it was so devastating and, in retrospect, because it was not the only attack that Paris has suffered.

I remember writing it from my bed in the corner room looking toward MASS MoCA in North Adams, Massachusetts, where I was staying in an apartment as part of the first ever collaboration between Tupelo Press and the Studios at MASS MoCA, bringing poets together for a week of residency at the expansive Massachusetts Museum of Contemporary Art. I had no idea as I wrote that day that our stalwart band of poets would coalesce into the Boiler House Poets and return to MASS MoCA for residency each fall for the next three years with dates planned for 2019, as well.

In that post, I was writing about the attack’s happening so close to the international climate conference that produced the Paris Accord. Hope and unity triumphed over divisiveness and rancor. I am appalled that DT has announced that the United States will leave the accord in November of 2020 and fervently hope that the decision will be overturned by our next president.

As I said in that November 2015 post:

We are all Paris. All bloodied. All in shock. All in mourning. But also united in strength. United in resolve. United in solidarity.

We must be.

The future of humanity and the planet depend on it.

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Poetry from MASS MoCA

When the Boiler House Poets get together for our reunion residencies, we have a group project that we work on together, often spearheaded by Marilyn McCabe, whose skill-set includes videopoems and more computer skills than most of us can ever aspire to.

Last fall when we met for our week together at MASS MoCA, Marilyn asked each of us to write a short poem about a work of art that was currently at the museum. She then recorded each of us reading her work and melded it with images of the artwork.

Here is the result. Enjoy! (And because I know someone will ask, my poem is “Redacted” based on a haunting large-scale work by Jenny Holzer.)

Bright Eyes: Eight Poets at MASSMoCA from Mar McCabe on Vimeo.
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October at MASS MoCA

For the last several years, it has been my privilege to be in residence with the Boiler House Poets at MASS MoCA (Massachusetts Museum of Contemporary Art) in North Adams, Massachusetts. I grew up in the area and I am always happy to be back in a familiar and beautiful place with engaging and talented poet-friends. I usually blog daily while I am there, but, for a number of reasons, I was unable to this year, so I thought I’d do some catch-up posts about it.

While we met as the first group of poets in residence through a collaboration with Tupelo Press and the Studios at MASS MoCA, we are now a self-directed group and, for our week together in October, we decided to do manuscript reviews. I am relatively new to giving feedback on chapbooks/poetry collections and to putting my own manuscripts together, so I appreciated the opportunity. It involved a lot of preparation before the residency as we shared manuscripts, read, and prepared comments. I was very busy with sandwich-generation caregiving and was concerned I wouldn’t be able to prepare, but I managed to get sick, the silver lining being that I needed to rest and stay away from people for their protection, so I holed up in my room and did manuscript work.

I was so impressed by the work I was reading and learned a lot from the discussions about each manuscript. Mine was the last manuscript to be workshopped and I was super nervous. It was a new version of my manuscript that deals with generations of family, our relationship to the North Adams area, and the massive changes that have taken place there over time as it moved from being home to mills, then to electronics, and eventually to the largest modern art museum in the country. The discussion was very helpful and led to the realization that I need to re-focus the collection again.

I have a lot of work to do on it, but I haven’t gotten to do much with it yet. The week I was in North Adams was the one in which hospice decided to decertify Nana. Things became even busier than they had been and I still haven’t been able to find time/brain to go over all the comments, digest them, and start revisions. I did get to do a bit of work before I left North Adams and I am pondering somewhere in the back of my brain here and there, so I hope that I will be able to make progress when I can get back to work.

Will 2019 be the year that I finally manage to get the manuscript ready to send out?

Fingers crossed…
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One-Liner Wednesday: wall

“Why struggle to open a door between us when the whole wall is an illusion?”
~~~Rumi
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Join us for Linda’s One-Liner Wednesdays and Just Jot It January! Find out how here: https://lindaghill.com/2019/01/09/jusjojan-2019-daily-prompt-jan-9th-and-one-liner-wednesday/
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