SoCS: poetic concentration

These past few weeks may be the highest concentration of posts about poetry that I have ever done here at Top of JC’s Mind.

By coincidence, I’ve been involved with several readings and anthology launches in recent weeks.

Well, it may be coincidence or it may be that it was because April is National Poetry Month here in the US, although only some of the poetic activities were connected to Poetry Month.

I’m actually expecting to have several more poet-y posts coming up over the next couple of weeks, so stay tuned.

If nothing else, the poetry posts break up the political ones. 😉

While this may be shameless, I will close with my favorite recent poetry post link: https://topofjcsmind.wordpress.com/2021/04/19/natl-poetry-month-celebration-with-me/. It was my first time as a featured poet in a reading and I’m still super-excited about it.

You may be thinking, but I don’t understand poetry. I promise that I am not inscrutable, though, so maybe you can give it a try! If you do, I hope you enjoy!

(And, yes, it may be cheating to use SoCS to promote other posts. If so, my apologies to Linda.)

*****
Linda’s prompt for Stream of Consciousness Saturday this week is “may.” Join us! Find out more here: https://lindaghill.com/2021/04/30/the-friday-reminder-and-prompt-for-socs-may-1-2021/

Binghamton Poetry Project reading and anthology – spring 2021

Seven years ago, I began participating in the Binghamton Poetry Project, a community outreach program of the Binghamton Center for Writers. Binghamton University graduate students facilitate free poetry writing workshops for children, teens, and adults. With the pandemic, sessions have had to move online, as have our readings and anthologies.

We had our spring reading and anthology launch today. I contributed three poems to the anthology, which you can find here. I read the poem “Conveyance” from the anthology, as well as “Meanwhile…” from my collection manuscript and “SARS-CoV-2: A Novel Coronavirus” which is currently on display as part of the Empty the Inkpots exhibit at the Vestal Museum.

I had very little formal instruction in poetry when I was in school, so I appreciate all the lessons in the craft of poetry that I have learned through the Binghamton Poetry Project. For example, in this last set of sessions I learned about zeugma, a device which I used in “Conveyance.”

I especially appreciate connecting with my local poetry community, not only the graduate students and participants but the wider poetry community in our area. When I was looking for a year-round poetry workshop to share feedback on my work, Heather Dorn, who was then the assistant director of BPP, connected me with what is now the Grapevine Group. I rely on the Grapevine poets to help me see what I need to refine in my poems. Seeing their work in progress has taught me so much about writing and revising. I’ve also learned how to give and receive constructive criticism. I can sometimes even manage to figure out the truest path when I get suggestions that directly contradict each other!

I hope that the Binghamton Poetry Project will continue for many years to come. BPP is supported by grants and is blessed with an ever-evolving set of Binghamton University graduate students serving as facilitators and administrators. I know there will always being poets in our community wanting to write, learn, connect, and share the gift of poetry.

Another reading!

It’s been quite a poetry reading week for me! I shared the link for my reading with the Broome County Arts Council here and now I will be sharing an event that happened on Tuesday evening which is now available for viewing through Facebook.

The University Professors Press hosted a book launch and reading for Lullabies and Confessions: Poetic Explorations of Parenting Across the Lifespan. It is the eleventh volume in their Poetry, Healing, and Growth series. I was honored to have my poem “Hydro Superintendent” chosen for inclusion in this anthology.

The event began with an interview of Dr. Louis Hoffman and Dr. Lisa Xochitl Vallejos, both of whom are psychologist/counselors and poets. They are the anthology editors, as well as contributors of poems and authors of the introduction and response activities. I was fascinated to hear them speaking about how they use poetry in and as therapy. The discussion resonated with me as a poet who recognizes the power of poetry to evoke deeper truths and who often uses writing to work through my reactions to real-life events.

Following the interview, over a dozen of the poets read their work from the anthology, including me. The range of work is wide and, as you might expect, some of the topics of the poems are difficult. A poem that dealt with racism was especially searing as we had learned the verdict in the George Floyd case just hours before the event.

The links in the second paragraph will take you to the reading and to University Professors Press if you wish to order your own copy of the anthology. You can also navigate to other volumes in the series, which I’m sure are all equally illuminating about the human experience.

Binghamton Poetry Project Fall 2020 anthology and reading

Due to the pandemic, the Binghamton Poetry Project has moved to Zoom for 2020. For each of our spring, summer, and fall seasons, we did five sessions of poem study and prompts, followed by a reading via Zoom. For the fall, our directors at Binghamton University have re-imagined our anthologies, which had been distributed in print at our in-person readings in prior years, as a digital publication. You can find the anthology at the Binghamton Poetry Project site here: https://thebinghamtonpoetryproject.wordpress.com/fall-2020-anthology/

One of the 2020 innovations from the Binghamton Poetry Project was to offer two different workshops, one for beginners and one for more experienced poets. I was part of the latter group. I enjoyed working with our instructor Shin Watanabe, who is a PhD student at Binghamton University. I also appreciated the opportunity to connect with the other community poets who attended, some of whom I have known for years in person and others of whom I have only met via Zoom. One of the advantages of Zoom meetings is that we have been able to include poets who are further afield, including some from the Ithaca area.

All three of the poems I chose for the anthology were written in response to Shin’s prompts based on our reading for that session. I thought it might be interesting to include how these poems came to be written; one of the advantages of taking a class or workshop is that you generate poems that otherwise would not have been written were it not for the prompts.

That being said, this first poem is one that was conceived before the prompt, as it will eventually be part of the collection about the North Adams, Massachusetts area that I have been working on for several years. The prompt was about employing interesting adjectives, based on our study of The Colossus by Sylvia Plath.

Navigating North Adams for MWS

Google maps had no street-view
for the addresses you had unearthed
through Ancestry.com
in the year since we each lost
our mothers May-days apart.
We were excited to discover
your great-grandmother

as a young Scottish immigrant
lived in the city where I also had roots.
As I drove the two hundred miles there,
I thought of you,
ten times further away,
of the photos I would send
so we could imagine

your ancestors and mine crossing
paths, setting in motion
our friendship generations on.
I navigated the streets too steep,
narrow, and unassuming
for the google-cars that take wrap-around
photos to satisfy the curious or nostalgic.

When Jeanie lived at 34 Jackson
did she cross Eagle
and walk with Ruth down
Bracewell toward the school?
When did the neighbors
at 27 Hudson put
up a sign, Established

in 1860? Surely
not back then, when
the hillside houses
were only middle-aged.
Did she sled down
Veazie with Mary
who lived parallel

on Williams? Did the imprint
of these ancestral
connections somehow
draw us to each
other as college roommates,
forty-year friends clinging
to each other on steep climbs?

The next poem was an experiment with line breaks, based on our discussion of Charles Bukowski’s Fingernails; Nostrils; Shoelaces.

Two and a half hours

The line stretched from
St. Paul’s Church down
the block to the library
voters spread six feet apart
waiting for
their turn to enter
go downstairs
wait
give their
name, sign the
tablet with a
disinfected stylus
watch the printer spit out
their ballot
sequester together in a
cubicle, completely fill in the
bubbles for their
choices with a
black felt pen
feed their ballot into the
machine, wait for
confirmation, walk back to
their car
go home and
hope.

This final poem is a failed attempt at the American Sublime, a la Hart Crane’s The Bridge: To Brooklyn Bridge. I think I managed a bit of the awe component, though.

For Jillian Grace

On my screen, you appear
smaller than your 2.9 kilos –
kilos because, from the start,
you are a British baby,
unlike your older sister, born
in the same upstate New York
hospital as your mother,
just miles from where
I, bleary-eyed at dawn,
stare at your first photos.

Your dark hair peeks
from under the knit cap
meant to keep you warm
as you adjust to air,
not the tiny ocean
that had been your home
for thirty-seven weeks,
your cheeks rosy
against the white blankets
and Winnie-the-Pooh sleeper.

I long to cradle you,
to breathe your newborn scent,
stroke your soft skin,
feel your fingers
wrap one of mine,
hum quiet lullabies,
claim you as my granddaughter,
but you are thirty-five hundred miles
and a pandemic
away.

I hope you will take a look at our anthology. Feel free to comment here or on the Binghamton Poetry Project site. Enjoy!

writing, singing, etc.

I had been trying to post more regularly – and have now proceeded not to post for a week and a half. I’m sure that isn’t a shock to regular readers. As much as I hope to create a even a semblance of a schedule, I haven’t managed to get there yet.

Even though I haven’t been posting here, I’ve been doing a bit of writing. A letter to the editor at NCR online. A short piece that may appear as a Small Earth Story at NCR. A bio to accompany a poem that is going to be published soon. This will be in the mini-anthology that will be a companion to the winning chapbook from QuillsEdge Press; all the finalists will have a poem printed. This was also exciting because I had to approve the proof and sign a contract. It was a needed reminder that I am still a poet, even though I haven’t published much lately – or even submitted. Maybe, after the first of the year, I can concentrate on a revised version of the chapbook to send out…

I don’t have a choir with which to sing on a regular basis this fall, but have sung with the combined music ministry at church for three funerals over the last three weeks. All the funerals have been for family members of music ministers, the last being the brother of my friend, who has been director of music for decades. Sadly, she has had to play and direct for the funerals of both her parents and, now, her eldest brother. Another staff member described it as “her last gift to him.” Perhaps that, along with her professionalism and faith, is the way she can manage to keep her focus in such difficult circumstances.

At the luncheon after the funeral, I was sitting with people who I met years ago at our former parish. It’s been fourteen years since we were all together there. Even after so much time belonging to other parishes, we still miss it.

That our sense of connection remains strong is a testament to how special and loving the community was. It had a part in forming our identities and that is a lasting gift.

Binghamton Poetry Project Spring 2019

I actually managed to attend all five weeks of Binghamton Poetry Project this semester and decided to submit to our anthology, even though I could not make today’s final reading. I generally post the poems that I put in the anthology after the reading.

The first two poems were actually written in the summer session of 2018, but there is no anthology in the summer, so I decided to publish them this time. A note on “An American Family”:  I want to acknowledge that indigenous/First Nations people are the original Americans; this poem refers to the vast majority of people in the United States who are either descendants of immigrants or immigrants themselves.

Enjoy!
*****
At Thirteen Months

My granddaughter grabs
at the floor lamp again
knowing that it is forbidden
but not that it is dangerous

looking at the adults
in the living room
knowing we will say
no

will pick her up
take her away
set her down
in the middle

of the room
where her toys
are scattered only
to have her rush

back to the lamp
look to make sure
we are watching
repeat the scenario

I finally resort
to what I did
with her mother
take her away

but hold her
in my arms instead
of placing her on the floor
she squirms and cries

a bit but
thirty seconds
is a long time
for a 13-month-old

she toddles back
to toys not lamp
a tear glistening
on her cheek

*****

An American Family

We are an American family
but people stare.

At the park, they assume
my sister is her children’s nanny.

I worry about my brown-skinned
nephews being stopped by the police,
but not my blond one.

Most Americans have roots
in Europe, Asia, or Africa.
Why is it so hard to accept
our family’s roots in all three?

What could be more American?

*****

We always wanted to roast marshmallows

after the hot dogs and hamburgers
had been grilled
and the charcoal glowed
red, under its ashen coat

We cut green sticks
whittling them down
to a point
ready to pierce

the Jet-Puffeds
We didn’t want
them to catch
fire, to burn

black, just a nice
golden brown
soft and sweet
as we three

girls, protected
from charred
bitterness
and burnt tongues

first-time finalist

In December, I submitted to the QuillsEdge Press chapbook contest and I am pleased to announce that I was named a finalist. Though I didn’t win publication of my chapbook, I am thrilled to have made it into the final round.

Moreover, QuillsEdge does a really cool thing! They choose a poem from each finalist and assemble a mini-anthology to accompany the winning chapbook. Given that few of my poems are available in print, I am excited to be included in an actual physical book.

While I assembled the chapbook for the QuillsEdge contest, I have submitted a slightly revised version to four other contests. Two rejections came in prior to the news from QuillsEdge. The remaining two are big contests which will draw lots of entries.

Yesterday, I received another rejection, but it was a very hopeful one. Although I did not make finalist – their top ten – I was in the top 1%. I so appreciated their encouragement, knowing that my chapbook was noticed in a field of 1000+ entries.

When things calm down a bit, I need to research more places to submit, but at least I know that there are editors – plural! – who think I am on the right track. A poet friend told me that a chapbook should be submitted to at least ten presses. Halfway there…

writing in 2017

Many writers post about their accomplishments of the year in late December or early January. I usually do something along those lines for my blog and poetry. However, 2017 was not a typical year so this post will be a bit different.

With so much going on in our family, I cut back on posting here at Top of JC’s Mind, although I have tried to keep everyone updated on family and personal happenings and have posted some opinion pieces on news and issues here in the US.

I have also posted about writing poetry, which, between the Binghamton Poetry Project, Sappho’s Circle, the Grapevine Group, some workshops at the Broome County Arts Council, and the Boiler House Poets, I have done quite a bit. I’ve published very little, though, other than in the Binghamton Poetry Project spring and fall anthologies. With limited time, I have chosen to spend it writing and editing rather than researching appropriate journals and submitting.

I did, though, take the major step of assembling a first draft of a poetry collection centering on the North Adams area where I grew up.  I need major amounts of time to re-work it before it is ready to be sent to contests or publishers.

I also put together some of my recent poems for a chapbook contest for women poets fifty or older. I may submit it to another contest with a January 15th deadline.

Contests are a super-long shot…

Given that there are still a lot of other things that need my attention, I am not making any promises regarding 2018, but, if anything does get published, you can be sure there will be a post about it here.
*****
This is part of Linda’s Just Jot It January. Join us! Find out more here:
 https://lindaghill.com/2018/01/01/jusjojan-daily-prompt-january-1st-2018/

 

2017 Fall poems for Binghamton Poetry Project

This afternoon is the Fall 2017 reading of the Binghamton Poetry Project. The Binghamton Poetry Project (BPP) is a community poetry initiative which brings graduate students at Binghamton University into the community to facilitate the writing of poetry by adults, teens, and children. I have participated in their workshops for several years. I will always owe them a huge debt of gratitude because it was my participation with them that led to my acceptance by my local critique group, which I now call The Grapevine Group, and to my beginning to publish poetry outside of the BPP anthologies.
BPP holds three workshops a year of five sessions each. We read and discuss some poems and generally write from prompts drawn from those examples. It is interesting as one often writes poems that would otherwise not have been written. Because we only have about fifteen minutes to write, there is not much time to ponder, so I often find myself writing about people or events that I have already had time to process. The first poem below centers on a topic that has appeared in other poems about my childhood hometown. The second is not a topic I have ever written a poem about because it was traumatic, but it was long enough ago that, when it fit the prompt, I ran with it. The third poem is about my friend Angie, whom I have written about often in both prose and poetry.
This year, we are reading at the Broome County Library where we usually meet. We used to hold our readings on Friday evenings rather than Saturday afternoons. This is the first time I have been able to make a Saturday afternoon reading. I’m curious to see if we have better attendance at this venue and time. (I am writing this post early and scheduling it to coincide with the reading.)
For the first time, I am planning to read a poem that is not in the anthology, the current version of a poem that I started working on at the Boiler House Poets’ reunion at MASS MoCA and have subsequently workshopped with both Grapevine Group and Sappho’s Circle. I can’t share it here as I need to keep it unpublished at this point. I am also not sure if it is in its final form, but I need to decide soon as it is part of a chapbook I am assembling for a contest. I am desperate to make this poem the absolute best it can be, but I am afraid I have lost perspective with it. There may be a separate post about it soon – again.
I know this post will look a bit different in spacing than my other posts. It is tricky to get poetry into the wordpress editor without having the spacing compromised and this is as close as I can get to proper spacing in the time I have today. All three poems are by Joanne Corey. Please comment if you are so moved.
Homecoming
The Eiler Brothers sent my parents a video
of our three-bedroom ranch
stained grey with white shutters
loaded on a flatbed
rolled three miles
up River Road
across the state line
to a new foundation.

 

The house cost them a dollar
and the filling of the old cellar.

 

I travelled back to visit the yard
white and yellow birches
spruce, balsam, hemlock
sugar and striped maples
lilies of the valley in May.
 
*****
 
Thanksgiving – 1981

 

After words from the phone call drifted to me –
black ice, accident –
I thought you were dead
and our already planned June
wedding would never happen

 

but the hatch had sprung
after the car landed
on its roof in the river
so that you could crawl
out, scramble up the bank,

 

get to the nearest building,
the hydrostation where my father
worked, where they put you
in a warm shower 
as hypothermia set in.

 

The next day, we went to see
the car where it had been towed,
chunks of river ice still inside,
a deep dent in the roof,
just behind where your head had been.
 
*****
 
To a friend

 

My dear Little Angel,

 

You would laugh at that greeting
because, as you would say,
you are – or were –

 

five foot twelve, which you thought
sounded shorter than six feet,
but your name, Angeline,

 

means little angel
and you aren’t here
to contradict me.

 

Your October twenty-fifth birthday
has passed twelve times without you.
Do you know I think of you each year?

 

Wonder if your hair
would be silver now
like mine…

 

If your toddler grandchildren
would like to meet
my infant one…

 

If you know,
wherever you are,
that they exist…

Poems – Fall 2016 BPP anthology

The fall anthology of the Binghamton Poetry Project is now available, so I can share the poems that were published in it here at Top of JC’s Mind. I shared “Thanks to the Department of Public Art” in a separate post. Below are three poems that I wrote from prompts in the summer and fall 2016 workshop sessions. Enjoy! (For some reason, when I copied these over, they arrived in a different font and spacing, so I decided to just roll with it!)

Sounds of Silence

          by Joanne Corey

Even if there were no
birds chirping in the trees,
leaves rustling in the breeze,
neighbor’s dog barking,
car alarm down the street erupting,
papers rustling,
child dribbling a basketball,
ice cream truck playing its jingle,
chipmunk retreating into the downspout,
bee buzzing among the clover,
footsteps on the sidewalk,
there would not be silence.

The voice in my mind is never
still.
*****
To Do

     by Joanne Corey

Go grocery shopping
Cook dinner
Clean up
Watch the news
Read
Sleep

Don’t forget to sing

Get up
Eat breakfast
Shower
Dress
Call Mom
Listen more than you talk

Don’t forget to sing

Travel
Visit a volcano
Step into the Pacific
Climb a mountain
Hear Big Ben chime
Walk on a glacier

Don’t forget to sing

Become a grandmother
Mourn your parents
Visit old friends
Pray
Write
Listen more than you talk

Don’t forget to sing
*****
Four River Haiku

 ~~ by Joanne Corey

Ice glazes river.
Groan, crack, break, flow downstream, jam.
Water floods the town.

Snow melt in spring sun.
River hurries over rocks.
Meander, oxbow.

Summer drought for months.
Fish find oxygen in pools.
We cast, seeking them.

Leaves, gold, orange, red,
Windswept, traverse the hillside.
River flows away.