With everything that has been going on, I hadn’t had any poems published for a long time. I’m pleased to tell you that I do have a new poem published today in The Ekphrastic Review. For those who aren’t familiar with the term, ekphrastic poems are ones that are based on another work of art. The Ekphrastic Review, edited by Lorette C. Luzajic, publishes poems inspired by visual art.
The Ekphrastic Review also offers ekphrastic challenges. They post an artwork on their website and invite writers to submit a poem or short prose piece in response. A selection of these pieces appears on their website along with the artwork that inspired them.
I submitted a response to “In Equipoise” by Teresa Vito of Pueblo, Colorado (USA), chosen by Kyle Laws, guest editor for the challenge. The ever-creative Kyle Laws arranged her selections into an amazing chapbook. I am honored that the tanka I submitted was chosen as a “breath” among longer poems.
The link is http://www.ekphrastic.net/ekphrastic/ekphrastic-challenge-responses-teresa-vito. Enjoy!
Because I had shared a photo of our church during Lent, I thought I’d share an Easter view:
A while back, Linda’s prompt had to do with things that we had hanging on our walls – or art we owned or something like that…
At any rate, I didn’t share some things I have hung that are made of fabric.
In the living room, I have an art quilt of trees that I really love:
In the dining room, we have framed some piecework that my husband’s great-grandmother had done. She was planning to make them into a coverlet, but never got around to it. His mom had the top piece in her cedar chest, and we cut it into pieces that worked with frames. The cloth she used was very interesting. It came from sample books from Arnold Print Works, where B’s grandfather worked. I love to look at the different fabric prints of the time. It is a bit strange to see some swastikas, though. The fabric is so old that it was well before the time of Hitler when the symbol was called a Teutonic cross, among other names.
Linda’s prompt for Stream of Consciousness Saturday this week is “fab”. Join us! Find out how here: https://lindaghill.com/2019/04/05/the-friday-reminder-and-prompt-for-socs-april-6-19/
When the Boiler House Poets get together for our reunion residencies, we have a group project that we work on together, often spearheaded by Marilyn McCabe, whose skill-set includes videopoems and more computer skills than most of us can ever aspire to.
Last fall when we met for our week together at MASS MoCA, Marilyn asked each of us to write a short poem about a work of art that was currently at the museum. She then recorded each of us reading her work and melded it with images of the artwork.
Here is the result. Enjoy! (And because I know someone will ask, my poem is “Redacted” based on a haunting large-scale work by Jenny Holzer.)
Bright Eyes: Eight Poets at MASSMoCA from Mar McCabe on Vimeo.
Join us for Just Jot It January! Today’s pingback link is here: https://lindaghill.com/2019/01/11/jusjojan-2019-daily-prompt-jan-11th/
More information and prompts here: https://lindaghill.com/2018/12/31/what-is-just-jot-it-january-2019-rules/
From my birthday post at MASS MoCA in October:
I did a walking meditation in the John Cage/Merce Cunningham Bridge with its current sound installation, In Harmonicity, the Tonal Walkway, by Julianne Swartz. For the second time this week, the art has brought me back to my first semester of music theory at Smith, as the installation is a form of musique concrète. The 13:40 minute loop is composed entirely of recorded human voices. This work inspired Marilyn McCabe, the Boiler House poet who conceived and produced our collaborative videopoem last year, to envision a sound project this year. We each recorded a short segment based on a single word for her today. Stay tuned for the final product when it is available.
And now, introducing the completed video/soundscape!
Boiler House Voices: Truck Shadow Muscular Tunnel Window Hoosic Resurrection Flow from Mar McCabe on Vimeo.
Marilyn asked each of us to choose a single word that represented our reunion week. I chose the word “flow.” We each recorded our chosen word for Marilyn in several ways, including saying the word slowly, three times in quick succession, and sung. Marilyn then spent many hours with her computer, cutting up words, overlaying them, mixing sounds, and constructing the soundscape. I can’t pretend to know how she did it, but some of the techniques would have been similar to those used in the Julianne Swartz piece that inspired the endeavor.
Then, Marilyn assembled the video element. Most of the photos are from the Boiler House. I especially love the parts of the video that involve layering of the images, such as the dancing silhouette and the photo of the eight of us taken this year looking out from where some of the Boiler House windows used to be.
I love Marilyn’s creativity and inventiveness, which is always expanding my sense of what is possible. You should all do yourselves a favor and click on the links above the video to see more of Marilyn’s work with videopoems. You can also visit and follow Marilyn here on WordPress at O Write: Marilynonaroll’s blog.
Comments are welcome here or at the Vimeo link.
Shadow, shadow, shadow. Window. Flow.
Our first full day of the Boiler House Poets second reunion residency began with each of us doing our own thing. I made an early trip to my studio and completed the first draft of a poem for my collection that I had begun to draft a year ago (yikes!) and then went off to enjoy the farmers’ market and Fall Foliage Festival craft fair. I also delivered a couple posters for the Boiler House Poets’ reading, which will be held on October 4 at 7 PM at Makers’ Mill on Main Street, North Adams. Any blog-readers nearby are cordially invited to attend!
After lunch, the lions’ share of our group participated in a printmaking workshop at Makers’ Mill. Kate and Jim demonstrated the process of preparing the materials and operating the press and then assisted us with our inaugural attempts. We were all novices and I admit that my work was very rudimentary, but I loved the work of the other poets. We needed to let our paper and ink dry, but we can pick them up later in the week or at our reading.
One of my favorite parts of the printmaking was operating the press. We turned a big wheel which was very much like the wheel of a ship. It also reminded me of a demonstration that I attended with my parents at their retirement village. Their friend Jim Mullen is an art professor emeritus who has his presses in a studio in his apartment. He is still very much an active artist; he lends his talents to the village community by designing and producing cards and by donating works to be raffled to raise money for the charitable foundation. He also offers art education experiences and did a very interesting demonstration of printmaking techniques. It was part of the reason that I decided to join in with today’s opportunity to try printmaking, even though I am not much of a visual artist.
Next, we started a poetry workshopping session. I always love to see what the other poets are working on and hear their insightful comments. I learn so much. I must admit, though, that I don’t feel very helpful to the group. So much of what they do is beyond what I could ever hope to achieve. Sometimes, I can make peace with that, rationalizing that I am a community poet and that it is okay for me to remain so. Other times, like today, not so much…
During dinner break, I decided to go back to the apartment to decompress a bit. I was able to talk to B and E at home and was glad to hear that everyone there is doing all right. I touched base with a local friend and made plans to meet tomorrow. I had a relatively long text conversation with daughter T who will soon be returning home from MO. And I went back to my studio and began to put the poems in my collection in order.
Today was chilly and drizzly. Maybe tomorrow will be a bit brighter…