Paris

Today’s Just Jot It January prompt “Paris” caught my eye.

My mind immediately went to this post, written November 14, 2015 in the aftermath of a major terrorist attack there, horrible because it was so devastating and, in retrospect, because it was not the only attack that Paris has suffered.

I remember writing it from my bed in the corner room looking toward MASS MoCA in North Adams, Massachusetts, where I was staying in an apartment as part of the first ever collaboration between Tupelo Press and the Studios at MASS MoCA, bringing poets together for a week of residency at the expansive Massachusetts Museum of Contemporary Art. I had no idea as I wrote that day that our stalwart band of poets would coalesce into the Boiler House Poets and return to MASS MoCA for residency each fall for the next three years with dates planned for 2019, as well.

In that post, I was writing about the attack’s happening so close to the international climate conference that produced the Paris Accord. Hope and unity triumphed over divisiveness and rancor. I am appalled that DT has announced that the United States will leave the accord in November of 2020 and fervently hope that the decision will be overturned by our next president.

As I said in that November 2015 post:

We are all Paris. All bloodied. All in shock. All in mourning. But also united in strength. United in resolve. United in solidarity.

We must be.

The future of humanity and the planet depend on it.

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Join us for Just Jot It January! Today’s pingback link is here:  https://lindaghill.com/2019/01/15/jusjojan-2019-daily-prompt-jan-15th/
More information and prompts here: https://lindaghill.com/2018/12/31/what-is-just-jot-it-january-2019-rules/

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Poetry from MASS MoCA

When the Boiler House Poets get together for our reunion residencies, we have a group project that we work on together, often spearheaded by Marilyn McCabe, whose skill-set includes videopoems and more computer skills than most of us can ever aspire to.

Last fall when we met for our week together at MASS MoCA, Marilyn asked each of us to write a short poem about a work of art that was currently at the museum. She then recorded each of us reading her work and melded it with images of the artwork.

Here is the result. Enjoy! (And because I know someone will ask, my poem is “Redacted” based on a haunting large-scale work by Jenny Holzer.)

Bright Eyes: Eight Poets at MASSMoCA from Mar McCabe on Vimeo.
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Join us for Just Jot It January! Today’s pingback link is here: https://lindaghill.com/2019/01/11/jusjojan-2019-daily-prompt-jan-11th/
More information and prompts here: https://lindaghill.com/2018/12/31/what-is-just-jot-it-january-2019-rules/

October at MASS MoCA

For the last several years, it has been my privilege to be in residence with the Boiler House Poets at MASS MoCA (Massachusetts Museum of Contemporary Art) in North Adams, Massachusetts. I grew up in the area and I am always happy to be back in a familiar and beautiful place with engaging and talented poet-friends. I usually blog daily while I am there, but, for a number of reasons, I was unable to this year, so I thought I’d do some catch-up posts about it.

While we met as the first group of poets in residence through a collaboration with Tupelo Press and the Studios at MASS MoCA, we are now a self-directed group and, for our week together in October, we decided to do manuscript reviews. I am relatively new to giving feedback on chapbooks/poetry collections and to putting my own manuscripts together, so I appreciated the opportunity. It involved a lot of preparation before the residency as we shared manuscripts, read, and prepared comments. I was very busy with sandwich-generation caregiving and was concerned I wouldn’t be able to prepare, but I managed to get sick, the silver lining being that I needed to rest and stay away from people for their protection, so I holed up in my room and did manuscript work.

I was so impressed by the work I was reading and learned a lot from the discussions about each manuscript. Mine was the last manuscript to be workshopped and I was super nervous. It was a new version of my manuscript that deals with generations of family, our relationship to the North Adams area, and the massive changes that have taken place there over time as it moved from being home to mills, then to electronics, and eventually to the largest modern art museum in the country. The discussion was very helpful and led to the realization that I need to re-focus the collection again.

I have a lot of work to do on it, but I haven’t gotten to do much with it yet. The week I was in North Adams was the one in which hospice decided to decertify Nana. Things became even busier than they had been and I still haven’t been able to find time/brain to go over all the comments, digest them, and start revisions. I did get to do a bit of work before I left North Adams and I am pondering somewhere in the back of my brain here and there, so I hope that I will be able to make progress when I can get back to work.

Will 2019 be the year that I finally manage to get the manuscript ready to send out?

Fingers crossed…
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Join us for Just Jot It January! Today’s pingback link is here: https://lindaghill.com/2019/01/10/jusjojan-2019-daily-prompt-jan-10th/
More information and prompts here: https://lindaghill.com/2018/12/31/what-is-just-jot-it-january-2019-rules/

“From the Boiler House” in Leaping Clear magazine

I’m pleased to share the link to “From the Boiler House” in Leaping Clear magazine. This videopoem was a collaboration of the Boiler House Poets during our residency at MASS MoCA in October 2016, edited and produced by one of our fantastically talented members Marilyn McCabe. You can hear the voices of the eight poets, each reading her own lines of the poem, with Marilyn’s videography and additional sound from Stephen Vitiello’s installation “All Those Vanished Engines.”

All the poets are happy that our work has found a home at Leaping Clear. Enjoy!

SoCS: October

October is one of my favorite months.

Part of the reason is that I was born in October. My birthday is the fourth, which also happens to be the feast day of Saint Francis of Assisi, who has become increasingly important to me spiritually over the years.

Growing up In New England, I always appreciated the beauty of October. It is the month when the leaves turn colors. Because our forests are mixed, there are red, orange, yellow, and russet leaves, punctuated with the deep greens of evergreens. I am lucky to still live in the Northeastern United States so our autumn foliage is still similar.

The last two Octobers I have  been back in my home area for early October with the Boiler House Poets in residency at MASS MoCA. Being back at that time of year is even more special as it has coincided with the annual Fall Foliage Festival. I have even written a poem about it.

Of course, October ends with Halloween. I admit that it is not one of my favorite holidays, but October 31st is special for another reason. It is my elder sister’s birthday and so another reason to celebrate the crisp, beautiful month of October.
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The prompt this week was a word beginning with “oc.” Join us for Linda’s Stream of Consciousness Saturday and/or Just Jot It January! Find out more here:
https://lindaghill.com/2018/01/19/the-friday-reminder-for-socs-jusjojan-daily-prompt-jan-20th-2018/

writing in 2017

Many writers post about their accomplishments of the year in late December or early January. I usually do something along those lines for my blog and poetry. However, 2017 was not a typical year so this post will be a bit different.

With so much going on in our family, I cut back on posting here at Top of JC’s Mind, although I have tried to keep everyone updated on family and personal happenings and have posted some opinion pieces on news and issues here in the US.

I have also posted about writing poetry, which, between the Binghamton Poetry Project, Sappho’s Circle, the Grapevine Group, some workshops at the Broome County Arts Council, and the Boiler House Poets, I have done quite a bit. I’ve published very little, though, other than in the Binghamton Poetry Project spring and fall anthologies. With limited time, I have chosen to spend it writing and editing rather than researching appropriate journals and submitting.

I did, though, take the major step of assembling a first draft of a poetry collection centering on the North Adams area where I grew up.  I need major amounts of time to re-work it before it is ready to be sent to contests or publishers.

I also put together some of my recent poems for a chapbook contest for women poets fifty or older. I may submit it to another contest with a January 15th deadline.

Contests are a super-long shot…

Given that there are still a lot of other things that need my attention, I am not making any promises regarding 2018, but, if anything does get published, you can be sure there will be a post about it here.
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This is part of Linda’s Just Jot It January. Join us! Find out more here:
 https://lindaghill.com/2018/01/01/jusjojan-daily-prompt-january-1st-2018/

 

Boiler House video/soundscape

From my birthday post at MASS MoCA in October:

I did a walking meditation in the John Cage/Merce Cunningham Bridge with its current sound installation, In Harmonicity, the Tonal Walkway, by Julianne Swartz. For the second time this week, the art has brought me back to my first semester of music theory at Smith, as the installation is a form of musique concrète. The 13:40 minute loop is composed entirely of recorded human voices. This work inspired Marilyn McCabe, the Boiler House poet who conceived and produced our collaborative videopoem last year, to envision a sound project this year. We each recorded a short segment based on a single word for her today. Stay tuned for the final product when it is available.

And now, introducing the completed video/soundscape!

Boiler House Voices: Truck Shadow Muscular Tunnel Window Hoosic Resurrection Flow from Mar McCabe on Vimeo.

Marilyn asked each of us to choose a single word that represented our reunion week. I chose the word “flow.” We each recorded our chosen word for Marilyn in several ways, including saying the word slowly, three times in quick succession, and sung. Marilyn then spent many hours with her computer, cutting up words, overlaying them, mixing sounds, and constructing the soundscape. I can’t pretend to know how she did it, but some of the techniques would have been similar to those used in the Julianne Swartz piece that inspired the endeavor.

Then, Marilyn assembled the video element. Most of the photos are from the Boiler House. I especially love the parts of the video that involve layering of the images, such as the dancing silhouette and the photo of the eight of us taken this year looking out from where some of the Boiler House windows used to be.

I love Marilyn’s creativity and inventiveness, which is always expanding my sense of what is possible. You should all do yourselves a favor and click on the links above the video to see more of Marilyn’s work with videopoems. You can also visit and follow Marilyn here on WordPress at O Write: Marilynonaroll’s blog.

Comments are welcome here or at the Vimeo link.

Shadow, shadow, shadow. Window.   Flow.