The Big Sick

Back when it was in theaters this summer, B and I went to see The Big Sick. It was written by Kumail Nanjiani and Emily Gordon, based on their real-life courtship – which involved Emily being in a coma. This is not a spoiler; it was well known before the movie came out, so I thought I would be able to handle it.

I was looking forward to going to the theater with B because we hadn’t gotten out much on our own, as we are in a major sandwich generation phase. It seemed like a good choice because the movie is a romantic comedy. Not only do we know that the couple get together in the end but it is also about a comedian (Nanjiani plays himself in the film) with lots of jokes in the show.

I did like the movie and think that it was well done. It was hard for me to write about it at that time, but it is now coming out on DVD, so this seemed a good time to revisit it and put out a post.

As I said, I knew the basic storyline, but there were things that were jarring to me. The first time we saw Emily on a ventilator reminded me of the last time I saw a family member with a tube.

Seeing Emily’s parents dealing with the doctors and trying to find the best care for their daughter brought back memories of dealing with past medical problems with my daughters. Emily’s parents are told that the doctors know what is going on and the treatment will work – and then it doesn’t. I know what that feels like. I know how desperately you want to protect your child and find the right person to help them get better. I know how little power you have in that situation.

Although the details are very different, I could also relate to the themes of family tensions around the experience of being an immigrant or the child of immigrants, religious differences between generations and spouses, and bi/multiracial families.

Erma Bombeck wrote, “There is a thin line that separates laughter and pain, comedy and tragedy, humor and hurt.” The Big Sick walks that line in a very human and meaningful way.

 

Florence Foster Jenkins

A family friend when I was a child often said, “Well, bless her heart,” whenever someone did something well-meaning or wholeheartedly.

Meryl Streep discussing Florence Foster Jenkins, whom she portrays in the new film of the same name, says that people at the time had one of two reactions to hearing Florence sing, either “bless her” or laughter.

Both of these are shown in the film.

Florence was a piano prodigy as a child, who lost her ability to play due to a physical condition. She continued to love music and, in adulthood. became an important musical philanthropist in New York City.

Florence liked to sing with heart and emotion. What she didn’t realize was that her physical malady had adversely affected both her ability to sing on pitch and her recognition that she was not singing on pitch. In order not to hurt her, her husband and her friends protected her from finding out the truth.

I love Meryl Streep’s work. She always brings depth into her portrayals as she does here. As a singer myself, although a choral soprano rather than a coloratura who can toss off the “Queen of the Night” aria at the drop of a hat, I was amazed at Streep’s ability to sing as Florence did – almost, but not quite up to the pitch.

On Fandango, the movie is listed as both a comedy and a drama. While there are moments of laughter, I can’t think of the film as a comedy. I think it is better characterized as a reflection on the power of music, service, friendship, and love in the face of adversity.

Florence, bless your heart. Meryl, thank you for bringing this powerful story to us.

One-Liner Wednesday: Stephen Colbert on failing

“You gotta learn to love when you’re failing.… The embracing of that, the discomfort of failing in front of an audience, leads you to penetrate through the fear that blinds you.”
– Stephen Colbert, from the GQ interview http://www.gq.com/story/stephen-colbert-gq-cover-story

Join us for Linda’s One-Liner Wednesday! Find out how here:  http://lindaghill.com/2015/09/02/one-liner-wednesday-its-all-about-self-motivation/

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