On The Late Show, Stephen Colbert does a recurring skit, now a best-selling book, called Midnight Confessions, in which he “confesses” to his audience with the disclaimer that he isn’t sure these things are really sins but that he does “feel bad about them.” While Stephen and his writers are famously funny, I am not, so my JC’s Confessions will be somewhat more serious reflections, but they will be things that I feel bad about. Stephen’s audience always forgives him at the end of the segment; I’m not expecting that – and these aren’t really sins – but comments are always welcome.
Poets are supposed to submit work to journals or publishers on a consistent basis. I confess that I have not been doing this. Not even close. Other than a few stabs at Rattle’s Poets Respond series, which only takes submissions written within the last week on news items and is a very, very, very long-shot, I have only done one submission this year, which I did because a poet-friend asked me to do. (I am not counting poems published in Binghamton Poetry Project anthologies because they are not a competitive venue.)
Given how complicated these last months have been, I suppose it is understandable that I haven’t been submitting for publication. I confess that I find the process of figuring out to whom to submit which poem daunting and incredibly time-consuming. I get nervous about the formatting requirements, which never seem to be the same among different publications. I also need to be in a mindset that can take a lot of rejection, because the vast majority of submissions will be rejected.
The result of all this is that it is even more difficult than before to get motivated to work on submissions. Not publishing also erodes my already fragile sense that I am a poet – or, at least, a poet good enough to be published.
Which makes it harder to get motivated to submit and adds to my lack of confidence, and so on and so on…
Later in the fall, I may/will have more time to devote to writing and poetry. Will I be able to get my act together to do submissions?
I don’t know.
“I am loyal to the inconveniences of kindness.”
~ ~ ~ from an extraordinary poem/meditation by Reb Irwin Keller that was shared to FB by one of my friends of Jewish heritage
Please join us for Linda’s One-Liner Wednesday! Details can be found here: https://lindaghill.com/2019/08/28/one-liner-wednesday-wtf-melani/
Badge by Laura @ riddlefromthemiddle.com
With everything that has been going on, I hadn’t had any poems published for a long time. I’m pleased to tell you that I do have a new poem published today in The Ekphrastic Review. For those who aren’t familiar with the term, ekphrastic poems are ones that are based on another work of art. The Ekphrastic Review, edited by Lorette C. Luzajic, publishes poems inspired by visual art.
The Ekphrastic Review also offers ekphrastic challenges. They post an artwork on their website and invite writers to submit a poem or short prose piece in response. A selection of these pieces appears on their website along with the artwork that inspired them.
I submitted a response to “In Equipoise” by Teresa Vito of Pueblo, Colorado (USA), chosen by Kyle Laws, guest editor for the challenge. The ever-creative Kyle Laws arranged her selections into an amazing chapbook. I am honored that the tanka I submitted was chosen as a “breath” among longer poems.
The link is http://www.ekphrastic.net/ekphrastic/ekphrastic-challenge-responses-teresa-vito. Enjoy!
“A poem begins in delight and ends in wisdom.”
– Robert Frost
Join us for Linda’s One-Liner Wednesdays and Just Jot It January! Find out how here: https://lindaghill.com/2019/01/30/jusjojan-2019-daily-prompt-jan-30th-and-one-liner-wednesday/
More information on JusJoJan and prompts here: https://lindaghill.com/2018/12/31/what-is-just-jot-it-january-2019-rules/
In April 2014, I changed the original post below when I submitted my poem to an anthology. It wasn’t selected, but I never reposted with my poem included. When I ran across this copied into my drafts folder today, I figured it was time to put it back out there. It a good reminder to me that, even though there is a lot more work to do, we have made some progress since November 30, 2012.
I had to share this link: http://www.huffingtonpost.com/sandra-steingraber/marcellus-shale_b_1428030.html, which leads to an essay and poem by biologist/poet, Dr. Sandra Steingraber. She is one of the heroes in the fight to keep unconventional fossil fuel extraction, aka fracking, out of New York State and to rein in this and all toxic industrial activity everywhere. The poem is mind-blowing for me, partly because of its depth of composition and partly because I have spent a lot of time in the fight, too, although in the role of citizen advocate/commenter, not expert/lecturer/author.
This seems a good opportunity to share a poem I wrote, right after the announcement that the New York State Department of Environmental Conservation was putting out final drilling regulations for comment, despite the supplemental generic environmental impact statement not being complete. The good news is that we mobilized to submit over 100,000 public comments and the DEC let the proposed regulations lapse. The SGEIS is still incomplete, pending a health review from the state health commissioner, and we still do not have high volume fracking in New York State.
Novermber 30, 2012 – After DEC Regs
Watching the silent snow,
The voices recede.
The hills are shrouded,
The innocent land
Unaware of the impending attack.
The crows circle,
The cold creeps into our bones.
The land shivers,
Resting now from the furrowing of the plow
Under its snow blanket,
Dreaming of spring.
Will the thaw bring warmth and greening
Or drilling and destruction?
“Sometimes not making sense and floating
are the same.”
from the poem “Adrift” by Bao Phi
Join us for Linda’s One-Liner Wednesdays! Find out how here: https://lindaghill.com/2018/09/26/one-liner-wednesday-clippity-clop/
I’m pleased to share the link to “From the Boiler House” in Leaping Clear magazine. This videopoem was a collaboration of the Boiler House Poets during our residency at MASS MoCA in October 2016, edited and produced by one of our fantastically talented members Marilyn McCabe. You can hear the voices of the eight poets, each reading her own lines of the poem, with Marilyn’s videography and additional sound from Stephen Vitiello’s installation “All Those Vanished Engines.”
All the poets are happy that our work has found a home at Leaping Clear. Enjoy!