I’m excited to share this post from Marilyn McCabe, announcing her newly published video chapbook, She Quits the Garden.
Marilyn had shared these poems with the Boiler House Poets Collective at one of our residencies at MASS MoCA before their remarkable transformation into a multivoice video chapbook. Enjoy!
We had six poets, including my friends Merrill Oliver Douglas and Jessica Dubey, who each read a poem by another poet and one of our own. The selections were varied and I was introduced to some poets who were new to me.
We then heard from several people who are working with poetry in translation. Being able to translate poetry into a different language is an art form in and of itself and we were treated to hearing poems that were originally written in Bosnian, Slovene, and German. We even got to hear the poet Adin Ljuca read his work in Bosnian! Thanks to Erin Riddle, who coordinated that part of the program.
And thanks again to Christina Di Stefano for her leadership of the Tioga Arts Council, for her inclusion of poets and writers along with the visual and performing artists, for her gracious introductions at the reading, and for all the organizing that brought us together.
Revisiting last year’s Broome County Arts Council’s recorded readings for National Poetry Month, with Yours Truly in week three: https://broomearts.org/education/the-gift-of-poets/
Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2022/04/20/one-liner-wednesday-love-and-compassion/
In an act of shameless self-promotion, I’m using One-Liner Wednesday to promote yesterday’s post about the five – count ’em five! – new poems of mine published by Wilderness House Literary Review this week!
Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2022/04/06/one-liner-wednesday-not-to-make-light-of-a-serious-situation/
So today is the last day of Just Jot It January. I want to thank Linda Hill, the Canadian author whose blog Life in Progress hosts Just Jot It January, and her blogging community who provide prompts and support for the process.
I know Linda is having a very busy time in her life and considered not holding #JusJoJan this year. I had commented during the decision-making process that I would participate as I could if she held it but that I wasn’t going to put my pressure on myself to post every day.
So, of course, Linda did go forward with Just Jot It January and I did post every day, despite international travel and my current unsettled state of grief/overwhelm/exhaustion.
Have I ever mentioned that I have a bit of a tenacious streak?
Theoretically, I could continue posting every day but I know that won’t happen. I need to devote more time to doing poetry submissions, which will cut into blog writing time. I’m also hoping that I will be writing some more new poems soon. I’m guessing that the Binghamton Poetry Project will be having some sessions in the coming weeks and I’m getting some ideas popping into my head otherwise. I also have a few poems that need final edits before I send them out.
I wish Linda and all the other #JusJoJan bloggers a successful 2022. We’ve all made it through 1/12th of the year intact. May this January be our springboard into February and beyond!
I’m excited to share pre-order news for two forthcoming chapbooks by Boiler House Poets Collective members through Finishing Line Press. It was my privilege to be involved in manuscript reviews with the poets for both chapbooks, so I know firsthand that they are fantastic!
Girl, Woman, Bird by Katherine (Kay) Morgan encompasses personal and national history and the natural world, especially birds. Kay also shares her gift for ekphrastic poems in this chapbook, as one might expect from one of the original Boiler House poets who met during a residency at the Massachusetts Museum of Contemporary Art, although the art that invokes these poems is not all contemporary. Girl, Woman, Bird is available for pre-order now and will begin to ship on March 18th.
For Dear Life by Jessica Dubey reflects on the impacts of her husband’s brain surgery and recovery on their lives. Besides being a member of Boiler House, Jessica is also part of my local poetry workshop, the Grapevine Group, so I was able to witness the creation of this chapbook poem by poem. Jessica’s ability to take us through such difficult terrain is stunning. For Dear Life may be ordered now for shipment beginning May 13.
Check out the links for additional information and ordering. I already have my orders in for both!
Join us for Linda’s Just Jot It January! Find out more here: https://lindaghill.com/2022/01/16/daily-prompt-jusjojan-the-16th-2022/
Poet Ada Limón gave a great reading last night under the auspices of the Binghamton Center for Writers as part of their Distinguished Writers Series.
During the Q&A, she said something that I want to remember – I’m paraphrasing here – that what makes you a writer is not writing every day because some days we are called to read or be with family or take walks, that even if we need to take a break from writing for six months or six years, we are still writers.
Given the massive holes I have experienced with my writing, and especially with my poetry, I found this very comforting. While I have been working on writing more and have gotten five submissions in so far this week, I do have days where I can’t face writing at all. I appreciated the reminder that that is okay.
I recommend listening to the reading and Q&A at the link above. There were some technical difficulties midway through which I’m not sure are on the recording. If you hit a patch where nothing is happening, just go forward about ten minutes and enjoy the second half.
So, I haven’t been posting as much as I intended these last few weeks, but (for once) I have a writing-related excuse.
I’ve been spending a lot of my creative time on poetry.
The most vital piece of that has been connected to my full-length poetry collection. I was finally able to hold a long-delayed workshop session with the Grapevine Group, my local poetry circle, and do revisions. On Friday, I sent out the newly revised manuscript to a publisher for the first time. I hope to send more submissions for both the collection and my chapbook over the next couple of weeks. Given the necessary slowdown of my writing activities during my father’s final months, I haven’t submitted much for a long time, but the rejections have been rolling in, leaving me with very few active submissions. Besides manuscript submissions, I hope to put in some individual poem ones, too. Fingers crossed…
Meanwhile, the Binghamton Poetry Project has been holding its fall sessions. I chose to attend a workshop called Poetic Yearnings: Desire, Place, and the Placeless with Nicholas Kanaar. I write a lot of poetry of place, so it was a good fit for me. Due to the pandemic, we are still meeting online instead of in person. Our fall 2021 online anthology includes three poems I wrote in response to prompts from the workshop along with the work of other BPP poets. Yesterday, we also held a reading via Zoom. I chose to read three poems of place from my manuscript, which revolves around the area from which I and several generations of my family hail.
I am determined to get more submissions in soon and will try to update you on my progress. If I get anything accepted, I will certainly let you all know ASAP. The only way that will happen soon, though, is if I manage to get accepted in a publication that has a very quick turnaround time. Most journals take a few weeks or months to reply and book submissions are several months to a year. Odds are very much against acceptance, especially with books. One recent book submission pool I was in chose four books out of 1,400 to publish, so…
In late May, I spent a few days on a private writing retreat back in North Adams, Massachusetts. I grew up in the area and it is the subject of my poetry collection work-in-progress, so it is helpful to me to be back there to work on it. (I wrote about it here for Stream of Consciousness Saturday, so even more rambling than I am when I have the luxury of editing myself.)
Part of the reason it is helpful to be back there is that I’m relieved of most of the caretaking/errands/planning/phoning/corresponding that take up a lot of my brain when I am at home. As if to make up for my being away for a bit, my return was greeted with an avalanche of problems that I may, finally, be at the point of seeing light at the end of the tunnel.
I will not bore you with any details other than to say that anyone who has ever had to deal with a complex issue with a US insurance company has some inkling of what it has been like times three.
The update on the manuscript is that it is in the hands of my poet-friends with an eye toward doing a full review sometime in the next few weeks. I was fortunate that I had returned from North Adams with the poems basically done and ordered. I powered through writing the foreword and end notes before June hit so I was able to pivot to dealing with bureaucracy.
Fingers crossed that personal life will calm down in time for the manuscript review and for a couple of weeks for revision time so that I can send the manuscript out for July submission calls. Tupelo Press just helpfully reminded me that they will be having an open submission period for manuscripts in July. After attending the inaugural Tupelo Press/Studios at MASS MoCA residency week in 2015, I promised that I would send them work. I didn’t think it would be this many years before I would have the manuscript completed, but I am looking forward to finally keeping that promise. I feel especially obligated to send this to them because so many of the poems intersect with MASS MoCA, my time there, and the art.
I will, of course, be sending the manuscript to other publishers and contests because one needs to cast as wide a net as possible to find the right fit between the press and the poet.