update to the chapbook update

Motivated by writing this post yesterday, I started searching for more opportunities to submit my chapbook for publication. After not finding any contests currently available – I could find lots for collections, but not chapbooks – I started looking through the Poets & Writers database of small presses that publish poetry.

I was looking for presses that are currently open for unsolicited chapbook manuscripts, but had to wade through broken links, the almost inevitable changes in schedules due to COVID, and the unfortunate number of presses that seem to have disappeared since they had listed with Poets & Writers two to three years ago.

I did manage to find what seemed to be a good match. The database said they accepted unsolicited manuscripts from September through December, but, when I visited the press’s site, I found out that they had moved up their open reading to the summer and were closing to submissions September 6. So, as it was September 5th, I stopped searching and got to work on the submission.

Given that I had the manuscript in my google docs, you might think that it would be relatively quick and easy to get the submission in, but it actually took a couple of hours. The press preferred a .docx in 5.5×8.5 inch format. I admit that I don’t know Word as well as google docs. I got the page format changed relatively easily, but struggled a bit to get the margins the proper size. I usually write short to medium length lines, but there were some lines long enough that they didn’t fit with the smaller pages. In some instances, I wound up changing my lineations. For the handful of multi-page poems, I had to be mindful of the page breaks to make sure that they weren’t falling in awkward places. I was grateful that there is an easy way to update the table of contents, as it changed considerably.

In the end, I was able to complete the submission yesterday, so, at least, I didn’t send on the very last day! It took a while, but I learned some new Word skills.

And the next time some press wants a 5.5×8.5 inch format, I’ll be ready.

chapbook update

This spring, I entered my chapbook manuscript in eight contests. So far, I’ve received five rejections, although I was a semi-finalist in one of them, which is encouraging, even though it is still a rejection. I expect to hear back from the other three sometime this month or next.

I did another round of revisions and have entered this newest version to one (knowingly virtually impossible to be accepted by) press. I have two other contests in mind, but should probably get myself motivated to search for others.

As long as we are on the topic of things I should do, I should also try to do some journal submissions. While I have made some strides in improving my poetry, I am still a neophyte when it comes to the world of publishing. Trying to choose among hundreds of journals which are most likely to consider the kind of poetry I write is perplexing. Sometimes, it’s easy to figure out where not to send something, such as the contest that wanted you to prove you had read all their requirements by quoting your favorite rap lyric in the cover letter – and I don’t know any rap lyrics. Most often, you read a sampler from the journal and try to guess if they might like your work. Because there are usually reading fees involved, it helps to try to figure out which journals are most likely to be interested. With so much else going on, I have trouble getting myself motivated to slog through lists and databases and spend time following all the different rules for submission, knowing that then you are looking at waiting periods of various lengths and most likely a bunch of rejection emails.

Still, if you want to be published…

Time to get to work.

chapbook update

In a too-rare burst of energy in the late-winter/early spring, I finished, workshopped, edited, and submitted to contests an expanded version of the chapbook that had been a finalist in a 2017/18 contest with QuillsEdge Press. By the way, part of being a finalist was inclusion in an anthology, IN TRANSITION, which was published in conjunction with the winning chapbook, Skin Gin, which is available here.

The rejections from that batch of submissions have started to roll in. I’ve received two so far, although I did make semi-finalist in the CutBank/University of Montana contest. While being named a finalist or semi-finalist is still a loss in real terms, it is encouraging to know that your entry has been well-received by some part of the reading team. I have six contests from which I am awaiting notification, but, the odds are that they will be rejections, so I am gearing up for another batch of submissions.

A dear and generous poet-friend recently did a close reading of the manuscript and I have done another round of revisions. There is one poem that has changed significantly enough that I’m workshopping it with my local poetry circle. After those revisions, I’ll be looking for more contests and open reading periods for the next batch of submissions.

Back when I was starting to think about the possibility of publishing a book, I set the age of sixty as a goal. I will turn sixty in October, so I’m definitely not going to have a book in print by my sixtieth birthday.

For now, I’ll hold out hope for the book while I’m sixty, although maybe I should make the mental move to in my sixties, so there is less chance of being disappointed.

If I do get an acceptance, you can read all about it here, although it’s possible that you may hear my excited screams first!

a new chapbook from Merrill Oliver Douglas

I wanted to share the news that a local poet-friend Merrill Oliver Douglas has a new chapbook available for pre-order at Finishing Line Press. You can order here: https://www.finishinglinepress.com/product/parking-meters-into-mermaids-by-merrill-oliver-douglas/

It was my privilege to participate in a manuscript review with Merrill and want to share that her work is both accessible for the general public and nuanced for those who enjoy the craft of poetry. You can read samples of her work at these links:
http://south85journal.com/issues/fall-winter-2016/fall-winter-2016-poetry/bereft/
http://baltimorereview.org/index.php/spring_2016/contributor/merrill-oliver-douglas
https://www.connotationpress.com/poetry/2370-merrill-oliver-douglas-poetry

And, seriously, who wouldn’t want to own a chapbook entitled Parking Meters into Mermaids?

Broome County Arts Council collaborative chapbook

As those of you who know me personally or who have been reading Top of JC’s Mind for a while are aware, I consider myself to be a community poet. I have next-to-no academic training in literary analysis and creative writing. I sometimes tell people that I write by instinct, but, like this blog, it is more another manifestation of the way my mind works, influenced by what I’ve read and my fortunate affiliation with groups of wonderful poets who share their work, critiques, and knowledge with me.

One of these groups in the last few years has been the Broome County (NY) Arts Council. They have sponsored several series of poetry workshops, led by Dr. Joshua Lewis. This has led to our first ever foray into publishing, a collaborative chapbook, Transformations. (The link takes you to a page with several options for download, priced at either $1 or $1.99 depending on platform.)

There are six poets represented: Pamela Olivia Brown, who also designed our cover, Joanne Corey (me), the aforementioned Joshua Lewis, who also acted as editor, Anita Alkinburg Shipway, Tony Villecco, and Harrison Young. We each submitted three poems without regard to a specific theme, but some commonalities emerged. We met to deal with ordering the poems, which is always a fraught process. I am pleased – and still somewhat shocked – that my ordering emerged as the favorite, with a couple of tweaks from the group.

In re-reading the book, I am struck by how the different styles and voices of the poets reflect common life experiences and deepen our understanding by approaching from various perspectives. Although there are only six poets, we represent different generations, races, ethnicities, genders, and places of origin. (I am endlessly fascinated by the influence of place, especially the rural/urban/suburban dynamic.)

I hope you will consider giving Transformations a read. I’d love to hear your thoughts about it in the comments here or at the Top of JC’s Mind Facebook page.

[A note: It’s possible that your download will have an issue with pagination and layout. For example, I lost the stanza breaks in my Apple copy. I’m not sure if it is because I am using an older device or if there is some other reason. I can assure you, though, that all the words will come through to you, which is the most important consideration.]

 

I don’t know I don’t know; or, On Writing a Chapbook: The Story of Being Many Seeds

A fascinating look into the mind of poet Marilyn McCabe as she crafted her chapbook “Being Many Seeds” both as a print and an audio/visual experience. Check it out!

O Write: Marilynonaroll's Blog

So with the birth of a new collection of poems, I thought I might share the backstory, as the poems came together in an unusual way, for me.

The poems in this book began as a monthlong exercise in imitations. Each day I’d choose a poem from a literary magazine or book of poems I had lying around, and I’d try to do a word-for-word imitation, but trying often to use opposite words. That is, if the poem started “One early morning…” I might say “Every late night….” I tried to choose poems that seemed unlike anything I might write: longer lines, narrative rather than lyric.

I didn’t overthink the process, I just let words rise up as prompted by the original poem, and figured whatever subject matters were lurking in my brain would arise naturally from this process. So then I had thirty or so of these, and looking…

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writing, singing, etc.

I had been trying to post more regularly – and have now proceeded not to post for a week and a half. I’m sure that isn’t a shock to regular readers. As much as I hope to create a even a semblance of a schedule, I haven’t managed to get there yet.

Even though I haven’t been posting here, I’ve been doing a bit of writing. A letter to the editor at NCR online. A short piece that may appear as a Small Earth Story at NCR. A bio to accompany a poem that is going to be published soon. This will be in the mini-anthology that will be a companion to the winning chapbook from QuillsEdge Press; all the finalists will have a poem printed. This was also exciting because I had to approve the proof and sign a contract. It was a needed reminder that I am still a poet, even though I haven’t published much lately – or even submitted. Maybe, after the first of the year, I can concentrate on a revised version of the chapbook to send out…

I don’t have a choir with which to sing on a regular basis this fall, but have sung with the combined music ministry at church for three funerals over the last three weeks. All the funerals have been for family members of music ministers, the last being the brother of my friend, who has been director of music for decades. Sadly, she has had to play and direct for the funerals of both her parents and, now, her eldest brother. Another staff member described it as “her last gift to him.” Perhaps that, along with her professionalism and faith, is the way she can manage to keep her focus in such difficult circumstances.

At the luncheon after the funeral, I was sitting with people who I met years ago at our former parish. It’s been fourteen years since we were all together there. Even after so much time belonging to other parishes, we still miss it.

That our sense of connection remains strong is a testament to how special and loving the community was. It had a part in forming our identities and that is a lasting gift.

JC’s Confessions #7

On The Late Show, Stephen Colbert does a recurring skit, now a best-selling book, called Midnight Confessions, in which he “confesses” to his audience with the disclaimer that he isn’t sure these things are really sins but that he does “feel bad about them.” While Stephen and his writers are famously funny, I am not, so my JC’s Confessions will be somewhat more serious reflections, but they will be things that I feel bad about. Stephen’s audience always forgives him at the end of the segment; I’m not expecting that – and these aren’t really sins – but comments are always welcome.
~ JC

Poets are supposed to submit work to journals or publishers on a consistent basis. I confess that I have not been doing this. Not even close. Other than a few stabs at Rattle’s Poets Respond series, which only takes submissions written within the last week on news items and is a very, very, very long-shot, I have only done one submission this year, which I did because a poet-friend asked me to do. (I am not counting poems published in Binghamton Poetry Project anthologies because they are not a competitive venue.)

Given how complicated these last months have been, I suppose it is understandable that I haven’t been submitting for publication. I confess that I find the process of figuring out to whom to submit which poem daunting and incredibly time-consuming. I get nervous about the formatting requirements, which never seem to be the same among different publications. I also need to be in a mindset that can take a lot of rejection, because the vast majority of submissions will be rejected.

The result of all this is that it is even more difficult than before to get motivated to work on submissions. Not publishing also erodes my already fragile sense that I am a poet – or, at least, a poet good enough to be published.

Which makes it harder to get motivated to submit and adds to my lack of confidence, and so on and so on…

Later in the fall, I may/will have more time to devote to writing and poetry. Will I be able to get my act together to do submissions?

I don’t know.

Stay tuned.

Poem in The Ekphrastic Review

With everything that has been going on, I hadn’t had any poems published for a long time. I’m pleased to tell you that I do have a new poem published today in The Ekphrastic Review. For those who aren’t familiar with the term, ekphrastic poems are ones that are based on another work of art. The Ekphrastic Review, edited by Lorette C. Luzajic, publishes poems inspired by visual art.

The Ekphrastic Review also offers ekphrastic challenges. They post an artwork on their website and invite writers to submit a poem or short prose piece in response. A selection of these pieces appears on their website along with the artwork that inspired them.

I submitted a response to “In Equipoise” by Teresa Vito of Pueblo, Colorado (USA), chosen by Kyle Laws, guest editor for the challenge. The ever-creative Kyle Laws arranged her selections into an amazing chapbook. I am honored that the tanka I submitted was chosen as a “breath” among longer poems.

The link is http://www.ekphrastic.net/ekphrastic/ekphrastic-challenge-responses-teresa-vito. Enjoy!

 

 

first-time finalist

In December, I submitted to the QuillsEdge Press chapbook contest and I am pleased to announce that I was named a finalist. Though I didn’t win publication of my chapbook, I am thrilled to have made it into the final round.

Moreover, QuillsEdge does a really cool thing! They choose a poem from each finalist and assemble a mini-anthology to accompany the winning chapbook. Given that few of my poems are available in print, I am excited to be included in an actual physical book.

While I assembled the chapbook for the QuillsEdge contest, I have submitted a slightly revised version to four other contests. Two rejections came in prior to the news from QuillsEdge. The remaining two are big contests which will draw lots of entries.

Yesterday, I received another rejection, but it was a very hopeful one. Although I did not make finalist – their top ten – I was in the top 1%. I so appreciated their encouragement, knowing that my chapbook was noticed in a field of 1000+ entries.

When things calm down a bit, I need to research more places to submit, but at least I know that there are editors – plural! – who think I am on the right track. A poet friend told me that a chapbook should be submitted to at least ten presses. Halfway there…