continuing reaction to Orlando

I wrote on Sunday about my early reactions to the shooting at Pulse in Orlando.

Of course, even now, on Tuesday afternoon, reactions are still early, but I wanted to add a bit more.

One interesting thing locally is that some of our local news broadcasters have incorporated reflections on the ACA shooting here in 2009 into their continuing coverage of the Orlando shooting. This linkage does not often happen, but I expect that it may be this time because there is a sense of connection about a specific group of people being targeted. With the American Civic Association shooting in Binghamton, it was immigrants; with Orlando, it was the LGBTQ community, or, perhaps, the Latino community.

My own emotions continue to swirl.

Yesterday afternoon, Sappho’s Circle, a group of women poets convened by Heather Dorn, met. In response to a prompt, I wrote a poem about the deaths this spring, including those in Orlando. Heather suggested that I submit it to Rattle Poets Respond, which publishes a poem weekly that is newly written in response to current events. I was honored that she felt the poem was worthy enough to be considered and I sent it through Submittable this morning.

Rattle is a very competitive publisher, so chances of acceptance are slim, but, after these recent weeks of not writing or submitting at all, it is gratifying to have been able to process events and feelings into a poem, to have shared it with my friends at Sappho’s Circle, and to have sent it off into the ether.

 

 

Acceptance drama!

Alternate title: What happens when you check Submittable late at night when you can’t sleep.

Since coming back from Hawai’i, I’ve been having lots of trouble with sleep, so I got up and decided to check Submittable, which is a tool that many literary journals use to host submissions. I wasn’t expecting much news, because journals also send emails, so I was shocked to see an acceptance! I was excited! Also, slightly terrified, because it seemed that I had inadvertently broken a cardinal rule of simultaneous submissions, which is to immediately withdraw an accepted poem from any other journal which has it under consideration. Most journals only accept previously unpublished work, so it is important that you notify them promptly so that they aren’t spending time reviewing a poem that they can’t include in their publication.

I powered up my desktop, which has my main inbox – which, granted, is overflowing with the mail backlog from traveling. I thought that I had reviewed everything I received in Hawai’i, but, somehow I missed the acceptance email from Wilderness House Literary Review  – which they had sent on July 3rd. I was shocked to read that they accepted all three of the poems I submitted for their next issue!

I quickly wrote a reply, about how excited I was to appear in their journal and apologized for the delay in replying. Then, I brought up my personal submissions database and found that I needed to send notices to only two other journals, because a couple of others had already rejected these poems. Fortunately, each of these journals still has one or two of my poems to consider.

By this point, my pulse had been racing for a while, and going back to bed was out of the question, so I took advantage of the six hour time difference to message E in Hawai’i. I rattled on about this whole wonderful-but-slightly-nerve-wracking drama until I calmed down a bit.

But I knew I still wouldn’t sleep so I wrote this post, scheduling it to come out at a more reasonable hour for most of my readers who share my time zone.

At whatever time anyone does happen to read this though, I am pleased to announce that my poems “(Not) the aunt I remember”, “Fifty-four” and “Downy” will be published in the fall online edition of Wilderness House Literary Review in early October.

You can be sure I will publish the link here at Top of JC’s Mind when it becomes available.

And maybe, in an hour or so, I’ll be able to fall asleep…