For some reason, yesterday the topic of the later verses of songs to which many know only the first verse well came up a couple of times. In a Binghamton Poetry Project session, we read Ada Limón’s poem “A New National Anthem” which quotes from and asks why we don’t sing the third verse of the “Star-Spangled Banner”. Last night, I was discussing the hymn “Amazing Grace” with a friend; I relate much better theologically with the ending verses than the opening ones, which are the ones most people recognize.
Although I am Catholic, much of my training as an organist was in a Protestant context. Unlike most Catholic churches, which often sing only two or three verses of a hymn, Protestant churches usually sing all the verses, which, as a poet and a liturgist, I find more proper. I sometimes choose a hymn specifically for a message in a later verse. I did this in choosing hymns for my father-in-law’s funeral, only to have the substitute organist truncate the hymn so we never got to verses that were connected to the occasion. I noticed the pastor giving a sidelong glance at the organist, but he didn’t take the hint.
Some of my favorite verses of hymns are later ones. In Katharine Lee Bates’ “America the Beautiful”, I especially like the end of the second verse/stanza:
America! America!
God mend thine every flaw,
Confirm thy soul in self-control,
Thy liberty in law!
We could really use some of that self-control these days. Interestingly, in researching the poem, I found that the version most of us know is the 1911 revision. The original 1893 version ends the third stanza with:
America! America!
God shed His grace on thee
Till selfish gain no longer stain,
The banner of the free!
We could really use that message now, too.
Sometimes, later verses are just fun because you get to sing words that your would not otherwise. For example, the second verse of the standard version of the United Kingdom National Anthem “God Save the Queen” which deals with the Queen’s enemies contains the lines “Confound their politics, Frustrate their knavish tricks”. It’s not often one gets to sing about “knavish tricks”!
Sometimes, especially in folk/protest songs, verses are included, excluded, or altered due to political circumstances or the audience. Woodie Guthrie’s original lyric of “The Land Is Your Land” contains a verse about private property and ends with a verse about hunger that closes “As they stood hungry, I stood there wondering if this land was made for you and me.” Most people are familiar only with the verses that are a US travelogue, not these more challenging ones.
There are some hymns, such as “Sing a New Church” by Delores Dufner, OSB, that I love all the verses so much that I will sing omitted verses to myself if we don’t get to sing them all during the service.
My first college choral conductor, Rob Kolb, taught us that the hymn is the poem which is the text, as opposed to the tune, which is interchangeable with another of the same metric form. Because the hymn is the poem, you sing it as you would recite it, with its punctuation and word emphasis intact. You also honor the hymn as an entity, so you sing all the verses, as you would read or recite all the stanzas of a poem.
Some lessons stick with you for life.
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